RULES FOR THE IRENE RYAN ACTING SCHOLARSHIP AUDITION
Time-limits:
Timing of the audition will begin with the first action or word in character following the setup and introduction and will not stop from that point onward. Participants exceeding the time limit (plus a 15-second grace period) will be disqualified at all levels.
Musical Acting Scenes: If a scene in the audition incorporates singing, at least 50% of the scene must be in dialogue or duet with partner and the accompanist will not count as the partner (unless the accompanist performs as a character in the audition).
Student Status: Only those performers who have appeared in either a participating or associate KCACTF entry and are bona fide students in a college or university at the time of the KCACTF production response are eligible. For the purpose of these awards, a bona fide student is:
Number of Nominees:Each college or university may nominate one student performer from the cast of each of its participating entries and one student performer from the cast of each of its associate entries. KCACTF representatives may nominate two additional performers from the casts of participating entries,
and one additional performer from the casts of associate entries.
Partner Limitations: No Irene Ryan nominee may serve as partner for another Irene Ryan nominee. A student may serve as partner for no more than two Irene Ryan Scholarship nominees per festival. All scene partners must have been a bona fide student at the time of the initial KCACTF response or during the term in which the regional festival occurs (confirmed in writing as outlined above). Nominees and their partners need not be students at the same institution.
Composition of Preliminary and Semifinal Rounds:Sixteen nominees shall appear in the final round at regional festivals. If more than sixteen nominees qualify for the regional festival, the regional chair will determine a screening system that will yield sixteen finalists. Whenever possible, the auditions should be combined with oral feedback sessions from judges, an audition workshop, or both.
Final Round Scheduling:The regional screening and final rounds should normally occur prior to the performance of any regional festival production. However, if the regional chair can ensure that final round judges will not have seen any of the finalists in any other capacity, such as productions, workshops or showcases prior to the final round, the final round may be held any time during the regional festival.
Final Round Judges: Academic professionals affiliated with institutions within the region of the festival must not judge the final round of the regional festival.
Audition Introduction: Each Irene Ryan Acting Scholarship nominee and partner shall be introduced by name and material selection only (name of play and playwright). No school affiliation shall be identified.
Furniture and Props: Two armless chairs and one table will be provided at each round of the auditions. No other furniture is allowed. If simple hand props are used, the nominee must provide them.
On-site Rehearsal: At the regional festival, a rehearsal shall be scheduled in the performance space before the final round of auditions. Coaches may attend this rehearsal.
Rights/Permission: Written proof of permission from the rights holder must be presented at each level of the Irene Ryan Acting Scholarship Audition for any material that has not previously been designated as available (see royalty information on website). Any royalty fee(s) for material performed in the auditions is the sole responsibility of the nominee.
Cuts or changes: Performers should seriously consider that when internal cuts and the realignment of text are made to scenes or monologues, there is the risk of significantly altering the interpretation of the dramatic idea of the play and the author's intent. Most authors would not support such an action, even for an audition. Both coaches and students are reminded that they assume the liability should any rights holder choose to formally complain about the way the material is used.
Order of presentation of scenes/material is at the discretion of the nominee in the semi-final and final rounds—there is no prescribed order in which the two (or three) pieces must be performed.