GUIDELINES for FORMATTING DESIGN EXHIBIT PRESENTATIONS

KCACTF strives to promote uniformity and fairness in the exhibition of design entries whenever possible. Individual regions therefore strive to provide each design entry with a minimum of sixteen square feet, and a maximum of twenty-four square feet, of display space. Such limitations also help to determine the overall exhibit space necessary at each regional festival.

The specifics of each design exhibit may change from year to year (based on the host school) and region to region – be sure to check with your regional design chair for details and restrictions before planning your exhibition display.

The following suggestions are intended to help the student designer organize and display their work to best advantage. Please check individual award categories for specific requirements.Arrange your design materials on panels that are uniform in size. Avoid using panels or mat board that is larger than 24 inches by 40 inches (the largest dimensions allowed by the USPS). Minimum space allocations will accommodate no more than four such panels.

  1. Remember to label the back of each panel with the designer's name and return address. Make sure that the front, or individual elements attached to the panel, show the play title, playwright's name, and identify act and scene when necessary.
  2. Organize your display in a way that makes the relationship between script, design idea, and finished design, as clear as possible. Help lead the respondents to your work through it in a logical and coherent path. Often the best way to accomplish this is to clearly display your process .
  3. Print your statement of design approach in a readable font size. Mount your design statement in a place that is logical, focused, and separate from other paperwork.
  4. Remember that process is a key to a good design, and can contribute greatly to your exhibit. Arrange your work in a way that makes the steps that helped you to arrive at your final design visible in your display. Arrange the parts of the process in a logical and coherent fashion. Judges and respondents look for clues to the development of the final design. Consider showing the progression from initial idea, through first rough drafts, to final sketch or model. Include as much documentation as possible: For sets , this could include research (specific and emotional), perspective sketches, photographs of the model, floor plans, and production photos; for costumes this could include research (specific and emotional), thumbnail sketches, finished renderings, fabric swatches, and production photos; for lighting this could include research (specific and emotional), rough light plot, finished light plot, paperwork (including hook-up and instrument schedule), color key (palette) for the production, and production photos.
  5. Set models and three-dimensional pieces may supplement the panels – but be sure to determine in advance if table space (and how much) will be available to you.
  6. Poor quality photographs plague displays, undermine the quality of your finished product, and hamper the evaluation process. Extreme care should be made in selecting production photos for design panels.

Panel format or layout suggestions: